If you don't have joy, you won't have the strength to overcome. This book will help you better understand how even in the midst of crisis and chaos, God wants to use joy as a weapon to tear down the attacks of the enemy and give you the spiritual bandwidth to overcome. Joy in the War is a unique book about finding joy in the midst of devastating events, including those happening in America and around the world. The Lord desires that His children know He is a covenant God. When we choose to align with His purposes, even the conflict and warfare surrounding us cannot stop His joy from manifesting and releasing a strength and purpose that empowers us to triumph. We can learn not to fear war or impending doom as we realize that overcoming joy can be our portion even in times of hardship. These lessons from Daniel and Amber Pierce--part of the legacy family of Chuck Pierce--have been walked out over the past decade as they have lived in the Land of Israel: a place where war is a constant threat and lessons for America and the church can be gleaned.
The Spanish Civil War (1936-1939) pitted conservative forces including the army, the Church, the Falange (fascist party), landowners, and industrial capitalists against the Republic, installed in 1931 and supported by intellectuals, the petite bourgeoisie, many campesinos (farm laborers), and the urban proletariat. Provoking heated passions on both sides, the Civil War soon became an international phenomenon that inspired a number of literary works reflecting the impact of the war on foreign and national writers. While the literature of the period has been the subject of scholarship, women's literary production has not been studied as a body of work in the same way that literature by men has been, and its unique features have not been examined. Addressing this lacuna in literary studies, this volume provides fresh perspectives on well-known women writers, as well as less studied ones, whose works take the Spanish Civil War as a theme. The authors represented in this collection reflect a wide range of political positions. Writers such as Maria Zambrano, Mercè Rodoreda, and Josefina Aldecoa were clearly aligned with the Republic, whereas others, including Mercedes Salisachs and Liberata Masoliver, sympathized with the Nationalists. Most, however, are situated in a more ambiguous political space, although the ethics and character portraits that emerge in their works might suggest Republican sympathies. Taken together, the essays are an important contribution to scholarship on literature inspired by this pivotal point in Spanish history.
Most accounts of Canada and the First World War either ignore or merely mention in passing the churches' experience. Such neglect does not do justice to the remarkable influence of the wartime churches nor to the religious identity of the young Dominion. The churches' support for the war was often wholehearted, but just as often nuanced and critical, shaped by either the classic just war paradigm or pacifism's outright rejection of violence. The war heightened issues of Canadianization, attitudes to violence, and ministry to the bereaved and the disillusioned. It also exacerbated ethnic tensions within and between denominations, and challenged notions of national and imperial identity. The authors of this volume provide a detailed summary of various Christian traditions and the war, both synthesizing and furthering previous research. In addition to examining the experience of Roman Catholics (English and French speaking), Anglicans, Presbyterians, Methodists, Baptists, Lutherans, Mennonites, and Quakers, there are chapters on precedents formed during the South African War, the work of military chaplains, and the roles of church women on the home front.
Milwaukeeans greeted the advent of World War II with the same determination as other Americans. Everyone felt the effect of the war, whether through concern for loved ones in danger, longer work hours, consumer shortages, or participation in war service organizations and drives. Men and women workers produced the essential goods necessary for victory—the vehicles, weapons, munitions, and components for all the machinery of war. But even in wartime there were labor conflicts, fueled by the sacrifices and tensions of wartime life. A City at War focuses on the experience of working men and women in a community that was not a wartime boom town. It looks at the stands of the CIO and the AFL against low wartime wages, and at women in unionized factories facing the perceptions and goals of male workers, union leaders, and society itself. Here is a social history of wartime Milwaukee and its workers as they laid the groundwork for a secure postwar future.
This Guide to the Study and Use of Military History is designed to foster an appreciation of the value of military history and explain its uses and the resources available for its study. It is not a work to be read and lightly tossed aside, but one the career soldier should read again or use as a reference at those times during his career when necessity or leisure turns him to the contemplation of the military past.
A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship
Establishing New Mexico as a U.S. territory was anything but bloodless. The Mexican-American War brought ferocious battles, brutal sieges, guerrilla warfare and scorched earth tactics. More than three hundred Mexican and American forces were killed or wounded in a single battle near Santa Fe. During the Taos Revolt, Governor Charles Bent was scalped and murdered in his home, and American forces fired cannons into a church where Pueblos and Mexicans sought refuge. Soldiers destroyed entire villages like Los Valles, killing or forcing residents to flee. Author Ray John de Aragón recounts these and other dramatic stories behind the birth of the Land of Enchantment.
In The Oxbridge Evangelist: Motivations, Practices, and Legacy of C.S. Lewis, Michael Gehring examines the evangelistic practices of one of the most significant lay evangelists of the twentieth century. In the 1930s, his contemporaries would never have predicted the scope of the legacy that Lewis was to leave behind him. Although millions across the world have been influenced by Lewis's evangelical thought, Lewis scholarship has not paid sufficient attention to this crucial side of this multi-faceted author. The Oxbridge Evangelist examines Lewis's loss and recovery of faith, and it shows how his experience heightened his own awareness of the loss of the Christian faith in England. Because of his ability to identify with others, Lewis engaged in the work of evangelism with uncanny skill. This work required singular courage on his part; it cost him dearly professionally and in his relationships. Gehring critically explores Lewis's motivations, practices, and legacy of evangelism. In doing so he provides penetrating insight for those interested in the theory and practice of evangelism in a culture that too readily leaves it to the crazies of the Christian tradition or relegates it to the margins of church life.
