The real story of how the federal government finally apprehended and convicted America’s most notorious criminal, Al Capone. Drawing on recently discovered government documents, wiretap transcripts, and Al Capone’s handwritten personal letters, New York Times bestselling author Jonathan Eig tells the dramatic story of the rise and fall of the nation’s most infamous criminal in rich new detail. From the moment he arrived in Chicago in 1920, Capone found himself in a world with limitless opportunity. Within a few years Capone controlled an illegal bootlegging business with annual revenue rivaling that of some of the nation’s largest corporations. Along the way he corrupted the Chicago police force and local courts while becoming one of the world’s first international celebrities. Legend credits Eliot Ness and his “Untouchables” with apprehending Capone, but Eig shows that this wasn’t so. In Get Capone, the man known as “Scarface” emerges as a complex man, doomed as much by his ego as by his vicious criminality. This is the real Al Capone.
Traces the criminal investigation of the notorious mobster, documenting his rise during the Prohibition era, the legal strategy that enabled his prosecution, and the possibility that he was innocent of the St. Valentine's Day massacre.
The story of Eliot Ness, the legendary lawman who led the Untouchables, took on Al Capone, and saved a city’s soul As leader of an unprecedented crime-busting squad, twenty-eight-year-old Eliot Ness won fame for taking on notorious mobster Al Capone. But the Untouchables’ daring raids were only the beginning of Ness’s unlikely story. This new biography grapples with the charismatic lawman’s complicated, largely forgotten legacy. Perry chronicles Ness’s days in Chicago as well as his spectacular second act in Cleveland, where he achieved his greatest success: purging the profoundly corrupt city and forging new practices that changed police work across the country. He also faced one of his greatest challenges: a mysterious serial killer known as the Torso Murderer. Capturing the first complete portrait of the real Eliot Ness, Perry brings to life an unorthodox man who believed in the integrity of law and the power of American justice.
Saying no to Al Capone was a sure invitation to a swim in the cement slippers. Unless you happened to be the best damn pilot around Chicago in 1924, just when the Big Fellow discovered aviation ambitions. Al insisted on the best and Slonnie was top test pilot for Lincoln Standard Aircraft, where Capone bought his new airplane toys. The mobster thought a pilot should come with his open-cockpit five-seaters but the Lincoln stunt ace didn't care to fly illegal booze, never mind the pay. If Slonnie couldn't say no right out, he might manage to dampen Capone's enthusiasm for these new biplanes by spoiling a trial run. Slonnie had to try a maneuver far trickier than the outside loop to live. He knew the Cicero bookies wouldn't give odds on his chances but a triple-cross of rival mobs looked like the only way out of town. Along the way he ran head-on into a string of sabotaged airplanes. Could a flying legend spot his enemies before he traded wood and canvas airplanes for a pine box?
Master story teller Marc Mappen applies a generational perspective to the gangsters of the Prohibition era—men born in the quarter century span from 1880 to 1905—who came to power with the Eighteenth Amendment. On January 16, 1920, the Eighteenth Amendment to the Constitution went into effect in the United States, “outlawing the manufacture, sale, or transportation of intoxicating liquors.” A group of young criminals from immigrant backgrounds in cities around the nation stepped forward to disobey the law of the land in order to provide alcohol to thirsty Americans. Today the names of these young men—Al Capone, Lucky Luciano, Dutch Schultz, Legs Diamond, Nucky Johnson—are more familiar than ever, thanks in part to such cable programs as Boardwalk Empire. Here, Mappen strips way the many myths and legends from television and movies to describe the lives these gangsters lived and the battles they fought. Placing their criminal activities within the context of the issues facing the nation, from the Great Depression, government crackdowns, and politics to sexual morality, immigration, and ethnicity, he also recounts what befell this villainous group as the decades unwound. Making use of FBI and other government files, trial transcripts, and the latest scholarship, the book provides a lively narrative of shootouts, car chases, courtroom clashes, wire tapping, and rub-outs in the roaring 1920s, the Depression of the 1930s, and beyond. Mappen asserts that Prohibition changed organized crime in America. Although their activities were mercenary and violent, and they often sought to kill one another, the Prohibition generation built partnerships, assigned territories, and negotiated treaties, however short lived. They were able to transform the loosely associated gangs of the pre-Prohibition era into sophisticated, complex syndicates. In doing so, they inspired an enduring icon—the gangster—in American popular culture and demonstrated the nation’s ideals of innovation and initiative. View a three minute video of Marc Mappen speaking about Prohibition Gangsters.
2014 Benjamin F. Shambaugh Award Winner 2015 Spirited Awards Top Ten Finalist During Prohibition, while Al Capone was rising to worldwide prominence as Public Enemy Number One, the townspeople of rural Templeton, Iowa—population just 428—were busy with a bootlegging empire of their own. Led by Joe Irlbeck, the whip-smart and gregarious son of a Bavarian immigrant, the outfit of farmers, small merchants, and even the church monsignor worked together to create a whiskey so excellent it was ordered by name: "Templeton rye." Just as Al Capone had Eliot Ness, Templeton's bootleggers had as their own enemy a respected Prohibition agent from the adjacent county named Benjamin Franklin Wilson. Wilson was ardent in his fight against alcohol, and he chased Irlbeck for over a decade. But Irlbeck was not Capone, and Templeton would not be ruled by violence like Chicago. Gentlemen Bootleggers tells a never-before-told tale of ingenuity, bootstrapping, and perseverance in one small town, showcasing a group of immigrants and first-generation Americans who embraced the ideals of self-reliance, dynamism, and democratic justice. It relies on previously classified Prohibition Bureau investigation files, federal court case files, extensive newspaper archive research, and a recently disclosed interview with kingpin Joe Irlbeck. Unlike other Prohibition-era tales of big-city gangsters, it provides an important reminder that bootlegging wasn't only about glory and riches, but could be in the service of a higher goal: producing the best whiskey money could buy.
Niccolò Machiavelli’s The Prince remains an influential book more than five centuries after he wrote his timeless classic. However, the political philosophy expressed by Machiavelli in his tome is often misunderstood. Although he thought humans to be rational, self-interested creatures, and even though he proposed an approach to politics in which the ends justify the means, Machiavelli was not, as some have argued, simply “a teacher of evil.” The Prince’s many ancient and medieval examples, while relevant to sixteenth century readers, are lost on most of today’s students of Machiavelli. Examples from modern films and television programs, which are more familiar and understandable to contemporary readers, provide a better way to accurately teach Machiavelli’s lessons. Indeed, modern media, such as Breaking Bad, The Godfather, The Walking Dead, Charlie Wilson’s War, House of Cards, Argo, and The Departed, are replete with illustrations that teach Machiavelli’s critical principles, including the need to caress or annihilate, learning “how not to be good,” why it is better to be feared than loved, and how to act as both the lion and the fox. Modern media are used in this book to exemplify the tactics Machiavelli advocated and to comprehensively demonstrate that Machiavelli intended for government actors and those exercising power in other contexts to fight for a greater good and strive to achieve glory.
A delightfully wicked look at the badly behaved characters who shaped the history of the Windy City through their deeds and misdeeds. Speaking Ill of the Dead: Jerks in Chicago History features twenty-five short profiles of notorious bad guys, perpetrators of mischief, visionary if misunderstood thinkers, and other colorful antiheroes from the history of the Windy City. It reveals the dark side of some well-known and even revered characters from Chicago's past—both part-time Jerks and others who were Jerks through and through.
A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.
This examination of film genres discusses how various films in five genres reflect or comment on political themes and ideas. The author uses constructivist and feminist political theory to examine the development of the political discourse in these films, and considers new ways to conceptualize the relationship between film or television and politics.
Pithy put-downs, hard-boiled snarlings, words of love and regret... All the Best Lines presents 500 memorable movie quotes, embracing both one-liners ('My name is Pussy Galore') and slices of snappy dialogue from pictures as diverse as When Harry Met Sally and Pulp Fiction. Arranged under such timeless themes as Dreams, Friends, Libido and Memories, the quotes juxtapose films and stars from every era and every genre. Dotted throughout the text are feature capsules focusing on themes and stories in the movies from Goldwynisms to Mae West, plus a generous scattering of cinema anecdotes, making the book both a joy to browse and an authoritative reference. Lavishly illustrated with full-colour photographs, All the Best Lines will delight and entertain you in equal measure, reacquainting you with your favourite movies and introducing you to some forgotten classics.
A practical and entertaining volume, Cage-Busting Leadership will be of profound interest and value to school and district leaders—and to everyone with a stake in school improvement. Rick Hess aptly describes his aims at the start of this provocative book: "I believe that two things are true. It is true, as would-be reformers often argue, that statutes, policies, rules, regulations, contracts, and case law make it tougher than it should be for school and system leaders to drive improvement and, well, lead. However, it is also the case that leaders have far more freedom to transform, reimagine, and invigorate teaching, learning, and schooling than is widely believed.” In his travels across the country, Rick Hess has met school and system leaders who have shared stories about evading, blasting through, or reshaping unnecessary and counterproductive constraints. Drawing on these stories, and with his sharp eye, Hess shows current and aspiring leaders how they can cultivate and sustain powerful cultures of teaching and learning.