Australian Heroines of World War One tells the story of eight courageous women through diaries, letters, original photos, paintings and specially drawn maps. These women had the courage and strength for which the Anzacs are renowned and the compassion and tenderness that only a woman can bring. Sister Hilda Samsing from Melbourne became a whistleblower when nursing aboard the hospital ship Gascon, outraged by the bungled evacuation of wounded Anzacs. She defied censorship and kept a very frank diary, reproduced here for the first time.In 1914, Louise Creed, a Sydney journalist, was caught in the besieged city of Antwerp and made a hair-raising escape from a German firing squad.Brisbane's Grace Wilson, ordered to establish an emergency hospital on drought ridden Lemnos Island, arrived there to find suffering Anzacs but no drinking water, tents or medical supplies. Grace and her nurses saved the lives of thousands who had been wounded at Lone Pine and the Nek.In France, Florence James-Wallace, Anne Donnell and Elsie Tranter nursed near the front line in Casualty Clearing Stations, treating soldiers with hideous wounds or blinded by mustard gas. In 1918 they had to deal with an epidemic of Spanish flu, killing some nurses. These brave women returned to Australia but their heroism was quickly forgotten. Two of these women received such meagre pensions they died destitute. Publication of this book with its numerous illustrations has been facilitated by a generous donation from Dame Elisabeth Murdoch, keen that these stories become known to Australians of all ages. This is an updated editon with additional information on some of the nurses supplied by their relatives after they read the first edition.
Women Who Changed the World: Their Lives, Challenges, and Accomplishments through History features 200 biographies of notable women and offers readers an opportunity to explore the global past from a gendered perspective. The women featured in this four-volume set cover the full sweep of history, from our ancestral forbearer "Lucy" to today's tennis phenoms Venus and Serena Williams. Every walk of life is represented in these pages, from powerful monarchs and politicians to talented artists and writers, from inquisitive scientists to outspoken activists. Each biography follows a standardized format, recounting the woman's life and accomplishments, discussing the challenges she faced within her particular time and place in history, and exploring the lasting legacy she left. A chronological listing of biographies makes it easy for readers to zero in on particular time periods, while a further reading list at the end of each essay serves as a gateway to further exploration and study. High-interest sidebars accompany many of the biographies, offering more nuanced glimpses into the lives of these fascinating women.
Australia entered the Great War of 1914–18 on the coattails of her imperial mother, Great Britain. Some 420,000 of her citizens fought in the islands off New Guinea, Gallipoli, the Western Front, and the Middle East. Among them was a relatively large chunk of the country’s small Jewish population. The precise number remains unknown since many enlisted as Christians. The Jewish story of World War I is far more complex than the current communal narrative, monopolised, as it is, by the superb military leadership of General Sir John Monash, and the avowals of passionate loyalty of Australian Jewry to king, country, and empire. It is claimed that this was manifest in its relatively large enlistment and war effort on the home front. At all times, an edgy Anglo-Australian Jewish leadership was looking over its shoulder worried by possible accusations of disloyalty. The sketchy account of the Australian-Jewish involvement in World War I is due to a lack of evidence from that era and little enthusiasm for collecting whatever was available subsequently. Much of what does exist lacks a grassroots Jewish voice, except for a few diaries and letters. Nonetheless, it is most likely that the capacity of Jewish communal leaders to influence the average Australian Jew’s attitude to enlistment or home front activities was minimal. One matter is certain, and that is that a strong belief in social integration helped prevent the formation of any communal organisation to care for ill and wounded Jewish veterans.
Our Friend the Enemy is the first detailed history of the Gallipoli campaign at Anzac since Charles Bean’s Official History. Viewed from both sides of the wire and described in first-hand accounts. Australian Captain Herbert Layh recounted that as they approached the beach on 25 April that, once we were behind cover the Turks turned their .. [fire] on us, and gave us a lively 10 minutes. A poor chap next to me was hit three times. He begged me to shoot him, but luckily for him a fourth bullet got him and put him out of his pain. Later that day, Sergeant Charles Saunders, a New Zealand engineer, described his first taste of battle, The Turks were entrenched some 50-100 yards from the edge of the face of the gully and their machine guns swept the edges. Line after line of our men went up, some lines didn’t take two paces over the crest when down they went to a man and on came another line. Gunner Recep Trudal of the Turkish 27th Regiment wrote of the fierce Turkish counter-attack on 19 May designed to push the Anzac’s back into the sea, It started at morning prayer call time, and then it went on and on, never stopped. You know there was no break for eating or anything … Attack was our command. That was what the Pasha said. Once he says “Attack”, you attack, and you either die or you survive.
From the author of Triage and Searching for Augusta, comes a history of love, hate, jealousy, and revenge between brothers and sisters during times of war through the ages. Journey back through time to discover remarkable accounts of parents who waved off their sons and daughters, never knowing if they would ever see them again. One mother saw no less than ten of her sons between the ages of eighteen and thirty-seven, dispatched to the frontline in the First World War. The biggest “real” band of brothers that ever served their country, but to discover how many made it back and who this dear lady was, you will have to read the rest. War is completely indiscriminate when it comes to inflicting suffering and heartbreak on families, particularly when one’s own blood takes up arms to fight with, and in some cases against their own kin. These stories recount some of the prime examples of families divided and united in some of the direst conflict. When British police discovered the body of a dead woman, who locals knew as the “Crazy Cat Lady” they found a small bundle of possessions that revealed a truly incredible story of two amazing sisters who served behind enemy lines as elite Special Operations Agents (SOE) during World War II.
Heroines in History: A Thousand Faces moves beyond stories of individual heroines, taking a thematic, synthesising and global in scope approach to challenge previous understandings of heroines in history. Responding to Joseph Campbell’s Hero with a Thousand Faces, Katie Pickles explores the idea of a transcultural heroine archetype that recurs through time. Each chapter addresses an archetypal theme important for heroines in history. The volume offers a new consideration of the often-awkward position of women in history and embeds heroines in the context of their times, as well as interpreting and analysing how their stories are told, re-told and represented at different moments. To do so it recovers and compares some women now forgotten, along with well-known recent heroines and brings together a diversity of women from around the world. Pickles looks at the interplay of gender, race, heredity status, class and politics in different ways and chronicles the emergence of heroines as historical subjects valued for their substance and achievements, rather than as objects valued for their image and celebrity. In an accessible and original way, the book builds upon developments in women’s and gender history and is essential reading for anyone interested in this field.
This groundbreaking volume of critical essays about popular entertainments brings together the work of eighteen established, emerging, and independent scholars with backgrounds in Archives, Theatre and Performance, Music, and Historical Studies, currently working across five continents. The first of its kind to examine popular entertainments from a global and multi-disciplinary perspective, this collection examines a broad cross-section of historical and contemporary popular entertainment forms from Australia, England, Japan, North America, and South Africa, and considers their social, cultural and political significance. Despite the vibrant, complex, and ubiquitous nature of popular entertainments, the field has suffered from a lack of sustained academic attention. Nevertheless, popular entertainments have a global reach and a transnational significance at odds with the fact that the meaning and definition of both ‘popular’ and ‘entertainment’ remain widely contested. Since the late-nineteenth century, class-based prejudices in Western culture have championed the superiority of art and literature over the dubious and fleeting pleasures of ‘entertainment.’ Similarly, the term ‘popular’ has carried pejorative connotations, indicating something common and outside the conventional and highbrow productions of the purpose-built theatre house or concert hall. Irrespective of whether ‘popular’ is code for a cultural product with a folk origin, or a term indicating the mass appeal of a cultural product, this volume’s re-assessment of popular entertainments from a global perspective is timely. The performance research embodied in this volume was first discussed at A World of Popular Entertainments International Conference (University of Newcastle, Australia, 2009) in response to a multi-disciplinary call for scholars to explore a variety of topics relevant to the study of popular entertainments.
This book brings together a collection of works by scholars who have produced some of the most innovative and influential work on the topic of First World War nursing in the last ten years. The contributors employ an interdisciplinary collaborative approach that takes into account multiple facets of Allied wartime nursing: historical contexts (history of the profession, recruitment, teaching, different national socio-political contexts), popular cultural stereotypes (in propaganda, popular culture) and longstanding gender norms (woman-as-nurturer). They draw on a wide range of hitherto neglected historical sources, including diaries, novels, letters and material culture. The result is a fully-rounded new study of nurses’ unique and compelling perspectives on the unprecedented experiences of the First World War.
More than Bombs and Bandages exposes the false assumption that military nurses only nursed. Based on author Kirsty Harris' CEW Bean Prize winning PhD thesis, this is a book that is far removed from the 'devotion to duty' stereotyping offering an intriguing and sometimes gut wrenching insight into the Australian Army Nursing Service (AANS) during World War I.
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